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The history of Wilderstein begins in 1852 with Thomas Holy Suckley's purchase of the river front site, then a sheep meadow of the adjacent late 18th-century estate, Wildercliff. Suckley's fortune had been secured through the family export trade and real estate investments. He was a descendant of the Beekman and Livingston families whose estate houses were prominent landmarks in this region of the Hudson River Valley from the 17th through the late 19th centuries. Thomas Suckley and his
wife Catherine Murray Bowne wanted a building site endowed with striking natural
features in the best traditions of the picturesque aesthetic. The
landscape setting for Wilderstein fulfilled this criteria by virtue of its
varied terrain and the scenic views it afforded of the river and distant
mountains - the vistas framed by tall cedars and evergreens. Suckley named the property "Wilderstein" (wild man's stone) in reference to a nearby Indian petroglyph, an allusive reminder of a cultural heritage that preceded European settlements in the region. The original Italianate
villa designed by John Warren Ritch was remodeled and enlarged in 1888 by
Thomas's son Robert Bowne Suckley and his wife, Elizabeth Philips Montgomery.
Poughkeepsie architect Arnout Cannon was hired to transform the two story villa
into an elaborate Queen Anne style country house. The structure now soared
upward with the addition of a third floor, multi-gabled attic and a dramatic
five story circular tower with a commanding view of the surrounding landscape.
The fanciful, asymmetrical skyline of the house was enhanced by the addition of
an imposing porte-cochere and an expansive verandah. The fashionably appointed interiors were designed by the New York City decorator, Joseph Burr Tiffany. With the ground floor rooms executed in contrasting historic revival and aesthetic movement styles, the interiors at Wilderstein offer a splendid microcosm of the decorative arts during this period of American design.
Through 1991 three generations of Suckleys occupied Wilderstein, amassing personal and ancestral effects that attest to the lively social history of the estate, its family and their relationship to the Hudson Valley. The books, letters, photographs, furniture, paintings, art objects and china - some ordinary and some exquisite - are intriguing to the scholar and the casual visitor alike.
Photo #4 by Anne L.
Schock, Photo #5 by John M. Hall
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